The idea of dropping $2K+ on a one-week writers conference for the Romance Writers of America had me feeling queasy, but as I’d decided back in January, I certainly wasn’t going back. I landed at Newark on Monday, June 27th, and the whirlwind began.
The hotel was smack-dab in the middle of Times Square, which made for a slightly crazy experience. I’m one of those people who likes to go out to get away from the crush, but to go out meant stepping into the chaos that is Times Square (except in the middle of the night, which I didn’t do during this trip.) Handy to most everything, but sometimes I wished for closer proximity to Central Park, or at least a site in the more northerly end of Manhattan.
The conference itself was spread over 3-4 floors, connected by escalators illuminated with golden bulbs, and a computerised elevator system where you’d input your floor and be given a letter (which corresponded to a particular elevator) to attend. That took a bit of getting used to, and on Friday evening, the demand for elevators (and the slowness of getting one) made me wonder if we were going to be late for the RITAs.
My goals for the conference were simple: meet up with Twitter/online friends, pitch to an agent, and take in some workshops. I did all three. My favourite was the Nelson Literary Agency party on Tuesday night. Hosted at the Rooftop Patio & Lounge on 5th Avenue and 27 Street, I was finally able to meet the very excellent Sara Megibow, Sarah Skilton, Miranda Kenneally, Roni Loren, Steve Vera, Kristin Nelson, Anita Mumm, and Lindsay Mergens, and RT’s Andrew Shaffer. A better bunch of people I could never hope to meet. (And if you’re wondering, I didn’t list Tiffany Reisz because we were roomies at the hotel, and I’d met her already.)
The scheduled luncheons and the opening session were enjoyable. The opening session had a panel of writers: Steve Berry, Diana Gabaldon, and Tess Gerritsen. I’d read most of Diana’s work but none by the other two, so I now have 2 books in my TBR stack. Luncheon #1 had Madeline Hunter as the keynote, and luncheon #2 was Sherrilyn Kenyon. Both were great to listen to. You’ll have to forgive my lack of detail, but all were dynamic and fascinating.
I didn’t get in nearly as many workshops as I’d optimistically plotted out on my RWA agenda. The constant barrage of people and broken sleeping patterns had me hitting the snooze button in the morning or retreating to my room after a luncheon to regain my equilibrium. Still, I managed to take in a few.
My favourite (and most useful) workshop was the Pitch Witch session by Carrie Lofty (author of ‘Portrait of Seduction’, which I reviewed.) She had four points for making the pitch that had me rewriting the entirety of my pitch. It came in handy for my Friday morning appointment, though I was caught off guard by some of the other questions the agent had for me. However, it was my first pitch ever, so I think I did well. My goal there was to do the pitch and get the experience.
I also learned that THE PARIS GAME (my current manuscript) does not have enough romance or erotica in it to be classified as either. Though I don’t tend to take genre specifications very seriously, being at the conference and hearing a publishing perspective made me realise that this book should really be classified as straight-out noir. And thus, not in the least suited to any of the romance sub-genres. What does this mean? Just that I’ll be more precise in my future pitching and querying (and I shall be starting querying agents this month). I’ll be looking for those who rep a broader variety of work, where I can expand my imagination and do noir one book, erotica or romance the next, and so forth.
So, where does this leave me? Recovering from the travel and pondering my next moves. It was definitely worthwhile to attend and hopefully I’ll be able to do it again.