Midnight at the Orpheus is #3 in Best Bisexual Fiction at the Rainbow Awards!

MidnightAtTheOrpheus

#1 was Tal Bauer’s romantic suspense novel “Enemies of the State”, and #2 was ARcher Kay Leah’s sci-fi/futuristic novel “For the Clan”. My book was #3 :)

Check out Midnight at the Orpheus at Bold Strokes Books, Amazon, BN.com, or your local bookseller!

Chicago, the Roaring Twenties. Cecilia Mills is new to town and struggling to survive. Her world is turned upside down when she falls for gangster Franky Greco’s moll Nell Prescott. Working at The Orpheus dance hall thanks to Nell, Cecilia becomes known as CeeCee and rubs elbows with gangsters and the city’s elite, and she and Nell hide their affair from Greco.

Patrick Sheridan is fresh out of prison and bent on revenge, with Greco in the crosshairs. He gets a job as CeeCee’s bodyguard, and despite her infatuation with Nell, love blossoms between CeeCee and Sheridan. When Sheridan sees his chance, thanks to a disillusioned cop seeking his own revenge, he must choose where his loyalties lie as CeeCee and Nell are caught in the middle.

Menage m/f/f.

Betting on Love scores an honourable mention from the Rainbow Awards!

Betting on Love 300 DPII’m delighted to find out that my book Betting on Love has scored an honourable mention from the Rainbow Awards. Keep your fingers crossed for the announcement of the winners on Dec 8th :)

Overall a very well-written story, with strong, authentic characters and a very delicate, soft touch of coming-of-age plot under the romance. I enjoyed this book quite a lot and would recommend it to an interested reader. The book gets off an awkward start that doesn’t really feel like a start, or even as if the story is starting in the middle. But the plot that develops from this start is done very well. It’s strongly character-driven and takes some unexpected – therefore good – twists and turns, which happily are always in-character for the character triggering that twist. Plus, subplots. While at the surface, this might look like a romance, underneath runs a very fine and delicate coming-of-age/growing-up plot. Sometimes it’s a little too delicate, but it’s there. Very nice. Full points here for clever use of setting. There were two settings/props that played a very strong part in the story: a farm and the other character’s motorcycle. Both settings/props were used very well, featured strongly, and even stood symbolic of the character, their personal development, and of the development of their love story. That was done very elegantly and very well. Like the coming-of-age plot, the character development sometimes was a little … too hidden. Yet both main characters developed; they grew, they grew up. Plus additional character development of side characters. Again somewhat hidden but very noticeable in their words and actions. Very smoothly flowing – so smoothly that you aren’t even aware of time passing or your progress through the book, until something startles you out of it. (At least, that’s what happened to me). Now, it’s a somewhat difficult style that I am not sure many readers will enjoy. Mostly beccause the author doesn’t give a lot of insight into the characters heads and emotions and into their development. And it’s true, occasionally the author could have done with a little more showing instead of presenting the reader with facts. However, it is obvious from the text that this is the author’s personal style, and I know other authors who don’t bother explaining a lot. They present the reader with their story and let the reader draw their own conclusions. And while I enjoy the insights into characters’ minds and emotions a lot, I am also aware that this particular style is a lot harder to pull of successfully. So, kudos to the author.