The Lost Girls of Paris, by Pam Jenoff — Exclusive Excerpt!

51SrH4ZP0mL._SX331_BO1204203200_Paperback: 384 pages

Publisher: Park Row; Original edition (January 29, 2019)

From the author of the runaway bestseller The Orphan’s Tale comes a remarkable story of friendship and courage centered around three women and a ring of female secret agents during World War II.

1946, Manhattan

One morning while passing through Grand Central Terminal on her way to work, Grace Healey finds an abandoned suitcase tucked beneath a bench. Unable to resist her own curiosity, Grace opens the suitcase, where she discovers a dozen photographs—each of a different woman. In a moment of impulse, Grace takes the photographs and quickly leaves the station.

Grace soon learns that the suitcase belonged to a woman named Eleanor Trigg, leader of a network of female secret agents who were deployed out of London during the war. Twelve of these women were sent to Occupied Europe as couriers and radio operators to aid the resistance, but they never returned home, their fates a mystery. Setting out to learn the truth behind the women in the photographs, Grace finds herself drawn to a young mother turned agent named Marie, whose daring mission overseas reveals a remarkable story of friendship, valor and betrayal.

Vividly rendered and inspired by true events, New York Times bestselling author Pam Jenoff shines a light on the incredible heroics of the brave women of the war and weaves a mesmerizing tale of courage, sisterhood and the great strength of women to survive in the hardest of circumstances.

 

The Excerpt

Chapter One

Grace

New York, 1946

If not for the second worst mistake of Grace Healey’s life, she never would have found the suitcase.

At nine twenty on a Tuesday morning, Grace should have been headed south on the first of two buses she took to get downtown, commuting from the rooming house in Hell’s Kitchen to the Lower East Side office where she worked. And she was on her way to work. But she was nowhere near the neighborhood she had come to call home. Instead, she was racing south on Madison Avenue, corralling her corkscrew hair into a low knot and taking off her mint green cardigan despite the chill so that Frankie wouldn’t notice it was the exact same one she had been wearing at work the previous day and question the unthinkable: whether she had gone home at all.

Grace paused to study herself in the window of a five-and-dime. She wished the store was open so she could buy some powder to hide the marks on her neck and sample a bit of perfume to conceal the stench of day-old brandy mixed with that delicious-but-wrong smell of Mark’s aftershave which made her dizzy and ashamed with every inhale. A wino sat on the corner, moaning to himself in sleep. Looking at his gray, lifeless pallor, Grace felt a certain solidarity. From the adjacent alley came the banging on a trash can, a sound marching in time with the thudding in her own head. The whole city of New York seemed green and hungover. Or perhaps she was confusing it for herself.

Sharp gusts of February wind cut across Madison, causing the flags that hung from the skyscrapers above to whip furiously. An old crumpled newspaper danced along the gutter. Hearing the bells of Saint Agnes’s toll half past nine, Grace pressed on, her skin growing moist under her collar as she neared a run. Grand Central Terminal loomed hulking ahead. Just a bit farther and she could turn left on Forty-Second Street and catch an express bus downtown on Lexington.

But as she neared the intersection at Forty-Third, the street ahead was blocked. Police cars sat three across, cordoning off Madison and preventing anyone from going farther south. A car accident, Grace suspected at first, noting the black Studebaker, which sat jackknifed across the street, steam billowing from the hood. More cars clogged the Midtown streets than ever these days, jockeying for space with the buses and taxis and trucks making deliveries. There did not appear to be another vehicle involved, though. A lone ambulance sat at the corner. The medics did not rush about urgently, but stood leaning against the vehicle, smoking.

Grace started toward a policeman, whose paunchy face pushed up from the high collar of his uniform, navy with gold buttons. “Excuse me. Will the street be closed for long? I’m late for work.”

He looked out at her disdainfully from under the brim of his hat, as if despite all of the women working dutifully in the factories to take the place of the men who had enlisted and gone overseas during the war, the notion of a woman holding a job was still laughable. “You can’t go this way,” he replied officiously. “And you won’t be able to any time soon.”

“What happened?” she asked, but the policeman turned away. Grace took a step forward, craning to see.

“A woman was hit by a car and died,” a man in a flat wool cap beside her said.

Taking in the shattered windshield of the Studebaker, Grace suddenly felt sick. “Such a shame,” she managed finally.

“I didn’t see it,” the man replied. “But someone said she was killed instantly. At least she didn’t suffer.”

At least. That was the phrase Grace heard too often after Tom had died. At least she was still young. At least there had not been children—as if that made it somehow easier to bear. (Children, she sometimes thought, would not have been a burden, but a bit of him left behind forever.)

“You just never know where it will all end,” mused the flat-capped man beside her. Grace did not answer. Tom’s death had been unexpected, too, an overturned jeep on the way from the army base to the train station in Georgia, headed to New York to see her before he’d deployed. They called him a casualty of war, but in fact it had been just another accident that might have happened anywhere.

A flashbulb from a reporter’s camera popped, causing her to blink. Grace shielded her eyes then backed away blindly through the crowd that had formed, seeking air amidst the cigarette smoke and sweat and perfume.

Away from the police barricade now, Grace looked over her shoulder. Forty-Third Street was blocked to the west as well, preventing her from cutting across. To go back up Madison and around the other side of the station would take at least another half an hour, making her even later for work than she already was. Again, she cursed the night before. If it weren’t for Mark, she wouldn’t be standing here, faced with no other choice to cut through Grand Central—the one place she had sworn to never go again.

 

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About Pam Jenoff

Pam Jenoff is the author of several novels, including the international bestseller The Kommandant’s Girl, which also earned her a Quill Award nomination. Pam lives with her husband and three children near Philadelphia where, in addition to writing, she teaches law school.

Connect with Pam

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Book review & giveaway: Paris Ever After, by K.S.R. Burns

Paris Ever AfterK.S.R. Burns

on Tour May 1-14 with

Paris Ever After

(women’s fiction)
Release date: May 1st, 2018
at Velvet Morning Press
ASIN: B079H32ND3
260 pages
Author’s website
Goodreads

 

SYNOPSIS

Can Amy’s rocky start in Paris turn into a happy ever after?

Amy didn’t realize how stale her life was until she jetted off to Paris without telling a soul—not even her husband—and had the adventure of a lifetime. Now as she tries to establish herself in the City of Light, she finds that despite a fun (and quirky) group of friends and the ability to indulge in French pastries whenever she wants, reinventing her life is much harder than she imagined.

Then on Amy’s thirtieth birthday, two unexpected visitors leave her wondering if she will soon be saying au revoir to Paris and the new life she’s struggled to build. Her estranged husband, Will, shows up—but is he interested in reconciliation or separation? And a young woman who arrives on Amy’s doorstep unleashes chaos that could push Amy out into the street.

As Amy’s Parisian dream starts to fall apart, she must decide: return to the stability of Will and Phoenix (if that’s even still an option) or forge her way forward in Paris? Amid secrets and surprises, set in enchanting gardens, cozy cafés, and glittering Parisian streets, Amy must choose between two very different worlds. And each has a claim on her heart.

***

MY REVIEW

I’ve read The Paris Effect (and reviewed it) and it didn’t take me long to dive right back in for its sequel (which I’d wished for, and so glad the author delivered!). Amy has established a life in Paris, though one that still seems a bit tenuous, as she is relying upon the goodwill of her friend Margaret for a place to live. She finds this to indeed be tenuous when Margaret has an unexpected guest, and that change leaves her more vulnerable than she expected.

It’s a struggle to write this review without giving away spoilers, so it’s going to be a bit short. Amy’s complications mount, and I couldn’t put this book down, wondering what would happen next, and how she’d get herself out of all the difficulties. I also was reading this on the plane on my way home from a trip to Paris, and I loved being able to relive some spots I’d visited. I may even have to re-read The Paris Effect, and then read this one again, just to have that fun once more.

I’m delighted to hear that The Paris Effect has been optioned for film rights. I’m keeping my fingers crossed that we’ll be able to see the film/tv program soon!

NB: The author’s previous book, The Paris Effect, featured here on France Book Tours, was just optioned for Film & TV!

ABOUT THE AUTHOR

k-s-r-burns

K. S. R. Burns
is the author of the Amazon bestseller, THE PARIS EFFECT, its upcoming standalone sequel PARIS EVER AFTER, and THE AMAZING ADVENTURES OF WORKING GIRL: Real-Life Career Advice You Can Actually Use. She has lived and worked in four countries and 22 cities, including Paris. No longer a wanderer, Burns now resides in the Pacific Northwest, where in addition to novels she writes a weekly career advice column for The Seattle Times.

Visit her website.
Follow her on Facebook, Twitter

Subscribe to her newsletter

Buy the book: Amazon | Kobo | iTunes | Nook

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Book review: The Last Days of Oscar Wilde, by John Vanderslice

About The Last Days of Oscar Wilde

• Paperback: 350 pages
• Publisher: Burlesque Press, LLC (January 15, 2018)

How is it possible that the genius author of such 19th century classics as The Picture of Dorian Gray and The Importance of Being Earnest died destitute in Paris at the age of 46? In John Vanderslice’s vivid and heartbreaking novel, we meet Oscar Wilde after a two year incarceration in an English prison for gross indecency. Once free, his reputation and finances in ruins, he leaves England for Paris where, frequently inebriated, he stays in shabby hotel rooms paid for by his few, remaining friends.

In Vanderslice’s deftly-imagined portrayal, Wilde’s idiosyncratic and affecting greatness is revealed. Through his thoughts and interactions, we experience the heart and mind of a literary giant brought down by the “morals” of his time. For a while, Wilde manages to maintain his legendary sense of humor and joie de vivre, a superstitious religiosity, and the dogged pursuit of beautiful young men. Sadly, the formerly prolific author and raconteur no longer has the desire to write. Instead, he distantly observes the world and is ultimately felled by serious illness. It is at his funeral that his artistic reputation begins its slow rehabilitation as friends and a small devoted public flock to the church to honor the artist, who spoke openly about homosexuality, the hypocrisy of Victorian values, and the importance of art for art’s sake.

My Review

Almost immediately, you’re drawn into Oscar Wilde’s life. It only takes a page or two, and his personality is so vivid that I began to feel as if I might know him. I don’t know much about Wilde historically, so I can’t speak as to the accuracy (or not) of this fictional story to the real history, but to me it was very good at painting a vibrant picture of not only his life, but of Paris at the time.

I really felt for Wilde, and I knew that his decline was coming as I read, but the last part portrayed it well, in fits and starts as I’d imagine his last days would seem, sober and then not, in pain and then not. The book gives me a greater appreciation of Wilde, and I will have to seek out more of his work (I’ve only read Dorian Grey).

I’m also impressed with the writing of the author, John Vanderslice. I may also be looking up some of his other works, too!

I was provided this book by the author for an honest review.

Praise

“With elegant prose and a glittering wit of which Wilde himself would approve, John Vanderslice brings to life this agent provocateur’s final act. Masterfully merges insight and imagination with the historical and literary record to provide a portrait that is rich and nuanced and utterly compelling.” – Rachel Hall, author of Heirlooms.

“John Vanderslice lays bare the consequences of Wilde’s betrayal by those whom he loved and trusted. The Last Days of Oscar Wilde is a grim reminder of the destructive power of senseless persecution.” —Jennifer Steil, author of The Woman Who Fell From the Sky.

“A quiet, tender portrait of a literary giant.” Kirkus Reviews

Purchase Links

Amazon | Barnes & Noble

About John Vanderslice

John Vanderslice is the author of Island Fog (Lavender Ink), a collection of ten stories and two novellas set on Nantucket Island, named by Library Journal as one of the Top 15 Indie Fiction titles of 2014. A native of the Washington DC area, John has an MFA from George Mason University and a PhD from the University of Louisiana-Lafayette (ULL). After graduating from ULL in 1997, he began teaching at the University of Central Arkansas (UCA), where he is a much loved professor of writing. His fiction has been published in many leading journals, as well as several anthologies, including Chick for a Day and The Best of The First Line.

Book review, excerpt & giveaway: One Sip at a Time, by Keith Van Sickle

One Sip at a TimeKeith Van Sickle

on Tour November 6-17 with

One Sip at a Time:
Learning to Live in Provence

(travel memoir)
Release date: January 28, 2017
at Dresher Publishing
ISBN: 978-0998312002
192 pages
Author’s page | Goodreads

 

SYNOPSIS

Can a two-career couple really pick up stakes and move to Provence?

Keith and Val had a dream – to live in Provence, the land of brilliant sunlight, charming hilltop villages and the deep blue waters of the Mediterranean. But there were two problems: they weren’t French speakers and they had full-time jobs. So they came up with a plan…

Follow their adventures (and misadventures) as they quit their jobs, become consultants and split their time between two countries. Laugh along as they build a life in Provence, slowly mastering a new language and making friends with the locals over long meals and just a bit too much wine.

If you’ve ever dreamed of changing gears and learning what joie de vivre is really all about, you won’t want to miss this delightful book.

EXCERPT

Fear the Beard
My beard trimmer broke so I went to buy a new one at the Intermarché.  I found it on the same aisle that had hair dryers and curling irons and things like that.  Except that the beard trimmers were kept in a locked cabinet.  Quoi?

I tracked down a clerk and asked her to unlock the cabinet so I could get the one I wanted, one that only cost about twenty bucks.  She took it out but wouldn’t give it to me. No, no, that would not be secure, monsieur!  Beard trimmers must follow a special security procedure! I think it must be like the one for a nuclear weapons factory.

First, I was told to go to the “Special Bureau” at the front of the store.  I did that, expecting the lady there to give me the beard trimmer so I could go pay.  Oh no, monsieur!  That would not be secure!  Instead, she gave me a long code to hand to the clerk in the checkout line. This mystified the poor clerk, who must only deal with women, children and clean-shaven men.

But eventually we sorted it out. I paid him and got another piece of paper, this one with a new code, to take back to the Special Bureau.

At this point, I was nervously expecting a retinal scan or maybe a cavity search, but happily I got my beard trimmer.

I asked the lady at the Special Bureau why beard trimmers were kept locked up while the much more expensive hair dryers were not.  She looked around carefully, leaned forward and said in a low voice, “Because of the thieves!”

Yes, it seems that beard trimmers were the most-stolen items in Intermarché stores
nationwide, thus prompting the lockdown.  I thanked her for this important news and held the trimmer tightly, scanning the parking lot as I walked carefully to my car.

Later I thought, is this really the best way to deal with the nationwide epidemic of beard
trimmer robberies? Is French society well served by having its thieves unable to trim their
beards, eventually looking like refugees from a ZZ Top concert? Maybe I should lead the other men in town for a protest march, a very French thing to do.
After trimming my beard, of course.

MY REVIEW

The title really says it all. One sip at a time. Lots of short pieces on living in Provence, and it’s easy to read a few in one sitting, or many (how about half the book? Let’s just say dinner was late that night!) As a not very skilled speaker of French, I could feel awkward along with them, and wince or nod or smile, and then laugh. The stories really make me want to go to Provence!

One anecdote that especially made me chuckle (and wince!) was France’s Worst Off-Ramp. Who knew that the French too had horribly designed roads? No traffic circles, cloverleafs…. just survival of the fittest. I wanted to clench my steering wheel with white-knuckled hands, if I’d had a steering wheel.

This book was a welcome indulgence, a way to live vicariously through the fun and travails of others. Now, though, I think I need to go book a trip to France.

ABOUT THE AUTHOR

One Sip at a Time Keith Van Sickle

Keith Van Sickle
is a technology industry veteran
and lifelong traveler
who got his first taste of overseas life
while studying in England during college.
But it was the expat assignment to Switzerland
that made him really fall in love with Europe.
After returning to California, he and his wife Val dreamed of living abroad again
but were unable to find another expat gig.
So they decided to invent their own.
Now they split their time between Silicon Valley and St-Rémy-de-Provence,
delving ever deeper into what makes France so endlessly fascinating.

Find the author on Facebook and Twitter
Visit his website

Subscribe to his mailing list and get information about new releases.

Buy the book on Amazon.com

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Book review & giveaway: Drawing Lessons, by Patricia Sands

Drawing LessonsPatricia Sands

on Tour October 2-13 with

Drawing Lessons

(women’s fiction)
Release date: October 1, 2017
at Lake Union Publishing

ISBN: 978-1542045872
352 pages
Author’s page | Goodreads

 

SYNOPSIS

The author of the Love in Provence series returns to the South of France with a poignant portrait of a woman who must learn how to create a new life for herself…

Sixty-two-year-old Arianna arrives in the South of France for a two-week artists’ workshop full of anticipation but burdened by guilt. Back home in Toronto, she has been living with the devastating diagnosis of her husband’s dementia and the heartbreak of watching the man she has loved for decades slip away before her eyes. What does her future hold without Ben? Before her is a blank canvas.

Encouraged by her family to take some time for herself, she has traveled to Arles to set up her easel in the same fields of poppies and sunflowers that inspired Van Gogh. Gradually, she rediscovers the inner artist she abandoned long ago. Drawing strength from the warm companionship and gentle wisdom of her fellow artists at the retreat—as well as the vitality of guest lecturer Jacques de Villeneuve, an artist and a cowboy—Arianna searches her heart for permission to embrace the life in front of her and, like the sunflowers, once again face the light.

MY REVIEW

I’ve read Ms. Sands’ book Promise of Provence and quite enjoyed it, so I was excited to be able to read and review Drawing Lessons as well. Her descriptions of France and of her characters are so vivid that I find it quite easy to bring them all to life in my mind. Of course, it also makes me wish I could be there with them! In this case, in Arles, creating art.

I really felt for Arianna in this novel as Ms. Sands skilfully took me through her everyday life, and the difficulties and sadness that she was experiencing. I wanted to reach through the pages and hug her. Dementia of a loved one is a tough challenge to meet, especially when it progresses to the point that your loved one remembers little to nothing of their family and friends.

This book was on the quieter, introspective side, and it was just what I was looking for.

ABOUT THE AUTHOR

I Promise You This Patricia SandsPatricia Sands
lives in Toronto,
but her heart’s other home is the South of France.
An avid traveler, she spends part of each year
on the Côte d’Azur
and occasionally leads groups of women
on tours of the Riviera and Provence.
Her award-winning 2010 debut novel, The Bridge Club,
is a book-group favorite,
and The Promise of Provence, which launched her three-part Love in Provence series
(followed by Promises to Keep and I Promise You This),
was a finalist for a 2013 USA Best Book Award
and a 2014 National Indie Excellence Award,
was an Amazon Hot New Release in April 2013,
and was a 2015 nominee for a #RBRT Golden Rose award in the category of romance.
Sands also contributes to such Francophile websites as The Good Life France
and Perfectly Provence, and she appears as a public speaker for women’s groups.

Find Patricia on Facebook,
on Twitter
on Instagram
at her Amazon Author Page
or her website

Subscribe to her mailing list and get information about new releases.

Buy the book on Amazon.com

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Book review, excerpt & giveaway: The Enemies of Versailles, by Sally Christie

enemies-of-versaillesSally Christie

on Tour March 20-31 with

The Enemies of Versailles
(historical fiction)
Release date: March 21, 2017
at Atria Books/Simon & Schuster
416 pages
ISBN: 978-1501103025

Website | Goodreads

SYNOPSIS

In the final installment of Sally Christie’s “tantalizing” (New York Daily News) Mistresses of Versailles trilogy, Jeanne Becu, a woman of astounding beauty but humble birth, works her way from the grimy back streets of Paris to the palace of Versailles, where the aging King Louis XV has become a jaded and bitter old philanderer. Jeanne bursts into his life and, as the Comtesse du Barry, quickly becomes his official mistress.
“That beastly bourgeois Pompadour was one thing; a common prostitute is quite another kettle of fish.”
After decades of suffering the King’s endless stream of Royal Favorites, the princesses of the Court have reached a breaking point. Horrified that he would bring the lowborn Comtesse du Barry into the hallowed halls of Versailles, Louis XV’s daughters, led by the indomitable Madame Adelaide, vow eternal enmity and enlist the young dauphiness Marie Antoinette in their fight against the new mistress. But as tensions rise and the French Revolution draws closer, a prostitute in the palace soon becomes the least of the nobility’s concerns.
Told in Christie’s witty and engaging style, the final book in The Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the sumptuous and cruel world of eighteenth century Versailles, and France as it approaches irrevocable change.
MY REVIEW
I knew very little about this part of French history, aside from the very basics of Marie Antoinette’s story (though as I recently read Will Bashor’s new book, I know a lot more about Marie Antoinette and her time in prison, I’ve begun to know more), and I had only passing knowledge of the Comtesse du Barry, and less still of the king’s daughter, Adelaide.
I should have known there’d be scheming, and lots of it. Even from prim and proper Adelaide, though a lot of hers seemed to stem from her desire to be pleasing to her father and to have his company. The scheming of the du Barrys (and not just the Comtesse) was staggering, and even a bit cringe-worthy. From the first (getting Jeanne married to a du Barry) and then further one (trying to get the king to marry her), sometimes I wanted to slap her (and her associates) and other times look on in wide-eyed admiration for their nerve/gall. And yet, all the women in this book, particularly the main players, seem somewhat let down by their circumstances. If only they’d been able to do something with their lives beyond scheming and men and position. But given the period, of course, women weren’t even full citizens yet, if I recall correctly. So their roles are not surprising.
This is a great book, very rich in detail, and entertaining. It’s a good way to get an introduction to the period that won’t bore you with a dry history tome. I really need to make a point of reading the other two books in the series, because they sound quite good.
EXCERPT
excerpt-enemies

ABOUT THE AUTHOR

Sisters of Versailles - Sally Christie

Sally Christie
is the author of The Sisters of Versailles
and
The Rivals of Versailles.
She was born in England and grew up around the world,
attending eight schools in three different languages.
She spent most of her career working
in international development and currently lives in Toronto.

Learn more her Versailles trilogy on her website
Become a fan to hear about her next novels!

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Book review, excerpt & giveaway: Occult Paris: The Lost Magic of the Belle Epoque, by Tobias Churton

occult-paris-coverTobias Churton

on Tour December 15-21 with

Occult Paris:
The Lost Magic of the Belle Époque

(nonfiction – history – occult)
Release date: October 30, 2016
at Inner Traditions • Bear & Company
ISBN: 978-1620555453 – 528 pages

 

SYNOPSIS

Historian Tobias Churton explores the magical, artistic, and intellectual world of the Belle Époque Paris. He brings into full perspective the personalities, and forces that made Paris a global magnet and which allowed later cultural movements, such as the “psychedelic 60s,” to rise from the ashes of post-war Europe.
EXCERPT – Chapter Three
Meetings with Remarkable Men
We can see that symbolic powers, occult powers, and poetic powers emerge from the same source, the same depths.Gaston Bachelard, Preface to Richard Knowles’s Victor-Émile Michelet, Poète ÉsotériqueDuring the 1960s and 70s, British historian Dame Frances Yates astonished and perplexed the community of historical scholarship by her reasoned advocacy of the view that a highly significant factor in promoting the genesis of modern science and its representative the “scientist” was the Renaissance Hermetic movement’s veneration for the Magus. The Magus is concerned with extending his powers over all aspects of creation, even unto immaterial realms. In analyzing the life of Dominican friar Giordano Bruno in particular (Giordano Bruno and the Hermetic Tradition, 1964), Yates demonstrated how the opposition of the Catholic Inquisition created the idea of Bruno as a “martyr to science”–he was burned at the stake in Rome in 1600 as an impenitent heretic–when his actual views were regarded in the main as superstitious claptrap by many 19th-and 20th-century scientists operating on “Newtonian” lines. Rekindled in Florence after 1460, Yates declared the gnostic “Hermetic Tradition” stimulated the rediscovery of Man as a free-willed Operator in the universe, a co-creator with the divine, to whom no secret need remain hid. [. . .] Thus “occult philosophy” was not in fact “hidden philosophy”–the deliberate cultivation of esoteric obscurity–but revealed what had formerly been hidden to the eyes of the fearful and the ignorant; in another word, science, but science with esoteric and spiritual balls: Gnostic science was the vehicle of revelation.

What is truly fascinating about developments in Paris in the 1880s and ’90s is that at the very time when many scientists had reached an apogee of materialist certainty verging on hubris–feeling themselves and their experimental methods utterly alien to the figure of the Mage who “dreamed but did not get real results”–yet at that very moment we find the Magus’s position as the desirable ideal and archetype being assumed not as the ideation of the scientist, but as the apotheosis of the ARTIST. The aim? That Art trump Science. New men will embrace the new religion, universal, already hidden in spiritual symbols, which, while the traditions and cultures around them might differ superficially, exist as one in essence.

Esotericism insists there is correspondence between all things. One thing opens a door to another: all rooms are connected. The new religion was at home in the Temple, whether of ancient Egypt, the Panthéon in modern Paris, or the contemplative mind in its study, or with like-minded friends. [. . .] In this religion, the Magus and prophet is not the scientist who limits the universe to measure it, but the Artist who seeks the infinite, the one who accepts the “open secret” of the universe as mystery. The Artist becomes one who reveals the hidden truth, not of matter itself, but of Man and the determinative occult world behind nature. Hail the Artist as custodian of spiritual being, of idealization, of beauty, of essential truth!

The dizzy heights of this realization were given verbal form in sweeping style by Bailly bookshop habitué Joséphin Péladan: “There is no reality other than God. There is no Truth other than God. There is no Beauty other than God.”3 Péladan deduced that the greatest art had necessarily been generated for the Catholic Church and the time had come for the Church to realize that the true hierophant of the mysteries was the Artist, the Magus come to the cradle of the Lord with gifts. [. . .] He was sacrificer and bridge-builder between the invisible and the visible, between this world and the world to come: the master of the ikon and of memory. The Artist’s business was with the ideal and the spiritual, not with reproducing the visual plane of nature like an ape. Paraphrasing Hermes Trismegistus, Péladan concluded: “Artist, you are Magus: Art is the great miracle.” The materialist scientist will only take you further into the endless darkness of matter, progressively enslaving the spirit to rational categories and destroying the divine humanity. The Magus, of whom Leonardo was a shining exemplar, combined search into the quantitative visible world with a no less penetrating search into the invisible and symbolic world, the infinite worlds, the boundless worlds of imagination, not to be confused with merely external fantasies as in the vulgar notion of “surrealism” or visual whimsicality. He was a man of imagination and his genius transcended his time, perhaps time itself.

So we see the figure of the Hermetic Magus return, and his gift was to justify the position of the artist, to secure him at the heights. [. . .] Hermetism made exalted sense of the Artist and his peculiar life and vocation. It thus became desirable for the new artist, who, like Redon, found the “ceiling” of the Impressionists too low for comfort to explore occult traditions, to partake more fully in the insights of the condemned gnosis. For this purpose, the L’Art Indépendant shop in the Rue de la Chaussée d’Antin and the Librairie du Merveilleux in the Rue de Trévise became essential calling points. In those oases of the ideal freedom, the movement could take its store of inspiration while sharing thoughts and carrying them out into the artists’ apartments, studios, informal salons, and café meetings. Now joined, Symbolism and Occultism shared mutual waves that would rise into an aesthetic flood, rolling through the streets of Paris in an attempt to sweep away the barricades of materialism, to oppose the Barbarians at home and abroad with unearthly Beauty and the power of the Spirit. After all the historic, failed revolutions that promoted what was perceived to be Paris’s decline into decadence, a spiritual revolution was afoot. Its weapon: ART, perceived as the exercise of the “High Science,” that is to say, Hermetic magic.

“Occult Paris by Tobias Churton © 2016 Inner Traditions. Printed with permission from the publisher Inner Traditions International. www.InnerTraditions.com
MY REVIEW
I really had no idea what to expect with this book, but what I didn’t expect was to be overwhelmed with names and places and events, basically being plunged headfirst into Symbolism, Decadence, Impressionism, and Hermetic philosophers… among others. I’ll be honest and say that this book took me a long time to read, and I still do not feel entirely certain of my knowledge of its contents. I rather feel like I should have read a Wikipedia (or other) primer of the cultural movements referenced, and especially of the men mentioned.
There were a great many mentioned, but I still do not have any real idea as to why/how the various persons noted became Symbolists, or Martinists, or Theosophists (etc).  What was the underlying motivation? There is a great deal of information in this book, and for someone better versed, I have no doubt that it would be a gold mine and inspiration, compelling and intense. I’m afraid I’m not that person, or at least not yet, not without learning an awful lot more first.
I am somewhat intrigued, however, and I am wondering about the role of women in these movements, aside from being ‘feminine’ inspirations, or symbols of wisdom, like Sophia. The art in the book often shows women, but they appear to be objects or symbols rather than real people. I suppose it would be a question to put to Churton himself, whether or not any women participated in these movements, and if there were any known more generally.
A note on the book itself: the hardback is a handsome edition, high quality, and has very good colour photographs in an insert. Definitely one for display on the shelf, if that’s your thing.

ABOUT THE AUTHOR

occult-paris-tobias-churton

Tobias Churton
is Britain’s leading scholar
of Western Esotericism,
a world authority on Gnosticism,
Hermeticism, and Rosicrucianism.
An Honorary Fellow of Exeter University,
where he is a faculty lecturer,
he holds a master’s degree in Theology
from Brasenose College, Oxford,
and is the author of many books,
including Gnostic Philosophy and
Aleister Crowley: The Beast in Berlin.
He lives in England.

Visit his website.

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Book review, excerpt & giveaway: Purged By Fire, by Diane Bonavist

purged-by-fireDiane Bonavist

on Tour
December 1-14
with
Purged by Fire:
Heresy of the Cathars

(historical fiction)
Release date: July 29, 2016
at Bagwyn Books
ISBN: 978-0-86698-810-0
274 pages

SYNOPSIS

In the thirteenth-century, a unique civilization flourished in the region that is now Southwestern France. The tolerant rulers of this realm embraced the Cathar faith which kept the simple teachings of the early followers of Christ, and rejected the venality of the Catholic Church.

To destroy the heretical faith, the pope declared a holy war. With the infamous words “Kill them all, God will recognize his own,” the crusade against Christendom began. For two decades, these wars decimated the old regions of the Languedoc and the troubadour culture. But when they still failed to destroy the heretical faith, the papacy gave special powers of inquisition to Dominican monks. Their mission was to root out heretics, compel confessions, and burn the unrepentant at the stake.
Purged by Fire tells the intertwining stories of three people enmeshed in the treachery of the Inquisition. Isarn Benet believes he has survived the wars by accepting the pope’s will and the French rule, until Marsal, the child he once rescued, arrives on his doorstep, forcing him to question every conciliation he has ever made. Marsal has lost everything to the Inquisition. Raised to always turn the other cheek, now she wants back what the Catholic Church has stolen, and she will aid anyone who helps her do so, even outlaws and rebels. Isarn’s son Chrétien can barely remember his life as a soldier and troubadour, the time before he knew and loved Marsal. Condemned and hunted by the Catholic Church, the two escape to the mountain fortress of Montségur.
Here, as the forces of the Inquisition lay siege to their place of refuge, they must make one final choice—between life and love or death and faith!
EXCERPT
“The Inquisitor is close at hand.” Chrétien stopped to catch his breath after ducking inside. “He’s walking the streets preaching as he goes.”
We all got ale and filed upstairs.
“The empty streets and shuttered windows remind me of when I was in Paris,” Martin said, as we crowded around the only window in the gallery. “The city was in the grip of illness— the devil’s influence they call it—and everyone stayed locked indoors.”
“Here he is,” cried Chrétien, peering down at the street.
I would never have recognized William Arnald. He was only five years older than I, yet he walked like he was Methuselah, slowly, slightly bent, as if under the burden of our sins. Behind him an acolyte followed ringing a large bell. About five paces further back were three men with papal heraldry on their armbands, swords at their belts, and long shields held straight up at their sides. When Arnald reached the tavern, he stopped. Almost in unison, the four of us drew back from the window.
“He knows we’re here,” said Chrétien mockingly but in a whisper. “The man must be omniscient.”
There was some snickering among us, but really it was too uncanny for comfort. I looked down at the tonsured head and half-expected it to snap back and his eyes to nail us with his gaze.
William had not inherited the Benet height. He was a small man. My scant memories of him did not include anything imposing in either his manner or his speech. So that day, when he began to preach, I was taken aback by the way his voice filled the street, the voice of a giant, a man made larger than us all by authority and conviction.
He told us that there were many sinners among us and everyone must search his soul. If we so much as broke bread with an enemy of the church, then we became like that heretic. He promised light penance to those who came forward and voluntarily confessed their errors. But woe, woe, woe —he said it three times—to those who did not come forward and were then shown, by the accusation of others, to be heretics or fraternizers with heretics. For those, the punishment would be dire and swift.
MY REVIEW
Reading historical fiction is always such a nice change, being able to be taken back into the past, into a time period that I may or may not know much about. In the case of the Cathars, I knew very little, beyond a vague understanding that they were persecuted for their faith.
I was immediately pulled into the story in the first pages, and it was one I only put down reluctantly (since chores still have to be done). I was intrigued by Isarn Benet’s role in the story, and how he connected to all the others, and then by Marsal, the baby he’d saved. Combined with these interesting characters, the increasing tension (and one might say, doom) with the religious fervour and beliefs encouraging discrimination and cruelty, made for a fantastic read. I wanted to see Marsal succeed and be happy; wanted to see Isarn impart the secrets he needed to; and wanted to find out what happened between Chretien and Marsal.
I felt immersed in the world Ms Bonavist created. I’m hoping that she will write more historical fiction, whether about Cathars or others.

ABOUT THE AUTHOR

purged-by-fire-diane-bonavist

Diane Bonavist’s fiction
has appeared in Tiferet Journal,
The Milo Review, Fable Online,
and The RavensPerch.
She is a former Editor in chief of Tiferet Journal.

Her other novels are Daughters of Nyx,
a mystery of ancient Greece and Waters and the Wild,
a multi-generational story set in the Hudson River Valley,
both to be published in 2017.

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Book review & Giveaway: The Art of Rebellion by Brenda Joyce Leahy

the-art-of-rebellionBrenda Joyce Leahy

on Tour October 17-21 with

The Art of Rebellion

(YA historical)
Release date: June 15, 2016
at Rebelight Publishing
ISBN: 978-0994839985
252 pages
Website
Goodreads

 

SYNOPSIS

Released June 15, 2016, by Rebelight Publishing, this beautifully written, lush piece drops you into tumultuous and breathtaking late 19th century Paris.

Sixteen year old Gabrielle dreams of becoming an artist but her ambitious parents agree to an arranged marriage to an aging Baron. In protest, she runs away from her provincial home of Laval to Paris, the City of Light, intending to live with her grandmother and pursue her passion for art. Her bold plan disintegrates as she arrives in Paris to discover her grandmother has disappeared under mysterious circumstances. Alone in the capital, Gabrielle wonders who to trust: her new artist friends or the handsome but irritating stranger she met on the train, who just might be stalking her. Gabrielle’s pride, ambition and impulsive nature thrust her into Paris’ underbelly of betrayal and abuse. Will she find the courage to begin a new life on her own terms?

REVIEW

It’s been a while since I’ve read YA. From the start I was rooting for Gabrielle, cringing at the Baron, and the staunch demands of her mother. I cheered when she ran away, and agonized to see her making her decisions, knowing that she’d suffer some. But then, that’s what growing up is, isn’t it? Or at least, what it should be. I admire her determination, even when she has no money and is in a dangerous situation. More people should have such willpower.

Brenda Joyce Leahy brings 19th Century Paris to life, and I loved reading this book. I loved to learn about the feminists, about the Exposition, about the tawdriness, and dirt, and desperation. Politics, domestic life, art, passion, all rolled into one.

The Art of Rebellion was on the Calgary Bestselling Fiction list in August 2016

ABOUT THE AUTHOR

the-art-of-rebellion-brenda-joyce-leahy

Brenda Joyce Leahy
loves historical fiction
and thinks she was born a century too late
but can’t imagine her life without computers or cell phones.
So, perhaps, she arrived in the world
at just the right moment to tell this story.
She grew up on a farm near Taber, Alberta
but now lives with her family near the Rocky Mountains in Calgary, Alberta.
After over 20 years practising law,
she has returned to her first love of writing fiction.
She is a member of several writing organizations,
including the Society of Children’s Book Writers and Illustrators (SCBWI)
The Art of Rebellion is also profiled on the Humber School of Writers’ website
Brenda is also a member of the Historical Novel Society and leads a YA/MG writers’ critique group in Calgary.

Visit Brenda’s website

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Buy the book: Amazon | Indigo | Barnes & Noble

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Book review, excerpt, & giveaway: The Madonna of Notre Dame, by Alexis Ragougneau

The Madonna of Notre DameAlexis Ragougneau

on Tour September 12-21 with

The Madonna of Notre Dame

(thriller)
Release date: October 11, 2016
at New Vessel Press
ISBN: 978-1-939931-39-3 210 pages

Website
Goodreads

 

SYNOPSIS

Fifty thousand believers and photo-hungry tourists jam into Notre Dame Cathedral on August 15 to celebrate the Feast of the Assumption. The next morning, a stunningly beautiful young woman clothed all in white kneels at prayer in a cathedral side chapel. But when an American tourist accidentally bumps against her, her body collapses. She has been murdered: the autopsy reveals disturbing details. Police investigators and priests search for the killer as they discover other truths about guilt and redemption in this soaring Paris refuge for the lost, the damned, and the saved. The suspect is a disturbed young man obsessed with the Virgin Mary who spends his days hallucinating in front of a Madonna. But someone else knows the true killer of the white-clad daughter of Algerian immigrants. This thrilling novel illuminates shadowy corners of the world’s most famous cathedral, shedding light on good and evil with suspense, compassion and wry humor.

EXCERPT

“Gérard, there’s a bomb alert. In the ambulatory. Serious stuff this time. Big.”

His shoulder wedged in the doorway, a huge bunch of keys hanging at the end of his arm, the guard watched the sacristan fuss around, open all the sacristy cupboards, and pull out rags, sponges, silverware polish, while muttering expletives of his own composition at regular intervals.

“Gérard, are you listening? You should take a look, really. Fifteen years on the job, I’ve never seen anything like it. It’s enough to blow up the whole cathedral.”

Gérard interrupted his search and finally appeared to take an interest in the guard. The latter had just hung the keys on a single nail stuck in the sacristy paneling.

“Later on, if you like, I’ll go see. Is that all right? Are you happy?”

“What’s going on today, Gérard? Haven’t you got time for important things anymore?”

“Look, you’re starting to really piss me off. Thirty years I’ve been working here and it’s the same thing every year: every August fifteenth they have to make a goddamn mess in the sacristy. And I can never find anything the next day. I have to spend two hours cleaning up. I don’t understand why it has to be so difficult. They arrive, they put on their vestments, they do their procession and their Mass next door, they come back, they take off their vestments, and see you next year … Why do they have to go rummaging in the cupboards?”

“Tell me, Gérard, what have you lost?”

“My gloves. My box of gloves for the silverware. If I don’t have them I wreck my hands with their shitty products.”

“You want me to help you look? I’ve got time—just finished opening up.”

“Don’t worry, here, found them. I don’t know why it’s so hard to put things back where they belong, I mean, Jesus H. Christ …”

The guard fumbled in his pocket, inserted coins into the slit of the coffee machine, and pushed a button. He signaled goodbye to the sacristan and then, a steaming cup in his hand, started to walk back to the interior of the cathedral. Gérard caught up with him in the corridor.

“So tell me about your bomb … Worth seeing?”

“The works, I promise: the ticktock, the time switch, and the sticks of dynamite.”

“OK, I’ll go see later, before the nine o’clock Mass. Might still be there. Where’s your explosive device again?”

“In the ambulatory, outside the chapel of Our Lady of the Seven Sorrows. You’ll see—impossible to miss.”

MY REVIEW

It was a slow start for me, but this book was worth my patience. It’s been awhile since I’ve read any thrillers, and my last ones were books from translator/publisher Le French Book. (Their stable of authors includes Frederique Molay, Bernard Besson, David Khara, etc.) Once this book got going, I really couldn’t put it down. The first suspect seemed too easy, but I couldn’t identify another, and that questioning kept me reading. I like thrillers and mysteries where I can’t easily identify the killer(s).

What intrigued me the most, beyond the external plot, were the details involved in the running of Notre Dame, and of the ‘inside look’ at what it might take to organize and secure such a large and popular tourist destination. Locks, cleaning, security, filming, masses,… it all seemed to be there. I’d love to read a book solely on this background information.

Definitely an excellent read. I look forward to seeing what M. Ragougneau writes next.

ABOUT THE AUTHOR

Alexis Ragougneau

Alexis Ragougneau
is a playwright and
The Madonna of Notre Dame is his first novel.
He has worked in Notre Dame Cathedral
helping monitor tourist crowds
and knows well its infinite secrets
and the forgotten souls who linger in its darkest corners.

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