Book review, excerpt & giveaway: The Enemies of Versailles, by Sally Christie

enemies-of-versaillesSally Christie

on Tour March 20-31 with

The Enemies of Versailles
(historical fiction)
Release date: March 21, 2017
at Atria Books/Simon & Schuster
416 pages
ISBN: 978-1501103025

Website | Goodreads

SYNOPSIS

In the final installment of Sally Christie’s “tantalizing” (New York Daily News) Mistresses of Versailles trilogy, Jeanne Becu, a woman of astounding beauty but humble birth, works her way from the grimy back streets of Paris to the palace of Versailles, where the aging King Louis XV has become a jaded and bitter old philanderer. Jeanne bursts into his life and, as the Comtesse du Barry, quickly becomes his official mistress.
“That beastly bourgeois Pompadour was one thing; a common prostitute is quite another kettle of fish.”
After decades of suffering the King’s endless stream of Royal Favorites, the princesses of the Court have reached a breaking point. Horrified that he would bring the lowborn Comtesse du Barry into the hallowed halls of Versailles, Louis XV’s daughters, led by the indomitable Madame Adelaide, vow eternal enmity and enlist the young dauphiness Marie Antoinette in their fight against the new mistress. But as tensions rise and the French Revolution draws closer, a prostitute in the palace soon becomes the least of the nobility’s concerns.
Told in Christie’s witty and engaging style, the final book in The Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the sumptuous and cruel world of eighteenth century Versailles, and France as it approaches irrevocable change.
MY REVIEW
I knew very little about this part of French history, aside from the very basics of Marie Antoinette’s story (though as I recently read Will Bashor’s new book, I know a lot more about Marie Antoinette and her time in prison, I’ve begun to know more), and I had only passing knowledge of the Comtesse du Barry, and less still of the king’s daughter, Adelaide.
I should have known there’d be scheming, and lots of it. Even from prim and proper Adelaide, though a lot of hers seemed to stem from her desire to be pleasing to her father and to have his company. The scheming of the du Barrys (and not just the Comtesse) was staggering, and even a bit cringe-worthy. From the first (getting Jeanne married to a du Barry) and then further one (trying to get the king to marry her), sometimes I wanted to slap her (and her associates) and other times look on in wide-eyed admiration for their nerve/gall. And yet, all the women in this book, particularly the main players, seem somewhat let down by their circumstances. If only they’d been able to do something with their lives beyond scheming and men and position. But given the period, of course, women weren’t even full citizens yet, if I recall correctly. So their roles are not surprising.
This is a great book, very rich in detail, and entertaining. It’s a good way to get an introduction to the period that won’t bore you with a dry history tome. I really need to make a point of reading the other two books in the series, because they sound quite good.
EXCERPT
excerpt-enemies

ABOUT THE AUTHOR

Sisters of Versailles - Sally Christie

Sally Christie
is the author of The Sisters of Versailles
and
The Rivals of Versailles.
She was born in England and grew up around the world,
attending eight schools in three different languages.
She spent most of her career working
in international development and currently lives in Toronto.

Learn more her Versailles trilogy on her website
Become a fan to hear about her next novels!

Visit her Facebook Page

Check her Pinterest page

Follow Simon & Schuster on Twitter and Facebook

 

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway – for US residents 5nly
5 winners of a print copy

***

CLICK ON THE BANNER
TO READ REVIEWS, EXCERPTS, GUEST-POSTS

enemies-of-versailles-banner

 

Review, excerpt & giveaway: Marie Antoinette’s Darkest Days, by Will Bashor

MARIE ANTOINETTE’S DARKEST DAYSWill Bashor

on Tour March 13-24 with

Marie Antoinette’s Darkest Days:
Prisoner No. 280 in the Conciergerie

(history – nonfiction)
Release date: December 1, 2016
at Rowman & Littlefield
392 pages
ISBN: 978-1442254992
Website | Goodreads

 

SYNOPSIS

This compelling book begins on the 2nd of August 1793, the day Marie Antoinette was torn from her family’s arms and escorted from the Temple to the Conciergerie, a thick-walled fortress turned prison. It was also known as the waiting room for the guillotine because prisoners only spent a day or two here before their conviction and subsequent execution. The ex-queen surely knew her days were numbered, but she could never have known that two and a half months would pass before she would finally stand trial and be convicted of the most ungodly charges.

Will Bashor traces the final days of the prisoner registered only as Widow Capet, No. 280, a time that was a cruel mixture of grandeur, humiliation, and terror. Marie Antoinette’s reign amidst the splendors of the court of Versailles is a familiar story, but her final imprisonment in a fetid, dank dungeon is a little-known coda to a once-charmed life. Her seventy-six days in this terrifying prison can only be described as the darkest and most horrific of the fallen queen’s life, vividly recaptured in this richly researched history.

MY REVIEW

Marie Antoinette’s Darkest Days is aptly named, given the subject matter. Though I’d known the basics about her imprisonment and execution, Bashor’s book brought to life in great detail the hellish, difficult days and nights that she endured in prison. The historical research was immense (and many pages of notes and references are included, if you’re the sort that likes to go back to primary sources!)

I found it fascinating that there were so many plots to try to save Marie Antoinette’s life. Notes rolled up in carnations, invisible ink, letters written by poking a pin through a page… they were all there. Even in her darkest days, she had many supporters, both within and without the prison, and people at the highest ranks trying to negotiate to save her from the guillotine. Unfortunately (and as we all know), they were unsuccessful as things dragged on and she became less valuable as a hostage/pawn in the negotiations between France and Austria.

I definitely recommend this book to those interested in this period of French history, whether from the side of the royals or the rebels.

EXCERPT

When Rosalie received word that the queen of France was doomed, she fled to her room, stifling her cries and sobs. At seven o’clock, Warden Bault ordered her to go down to the queen and inquire if she would like something to eat. When Rosalie entered the queen’s cell, she found two candles burning and the young guard sitting in the corner. The queen was dressed in black, lying down with her face turned toward the window, her head resting on her hand.

“Madame,” Rosalie said with a trembling voice, “you did not eat anything the night before and almost nothing yesterday. Will you have something this morning?”

Tears rolled down the queen’s cheeks. “My child,” she said, resigned to her fate, “I no longer need anything; everything is over for me.”

“But, madame, I have some broth for you on the stove,” said Rosalie.

Recovering herself, and perhaps out of compassion for her servant, the queen said, “Well, Rosalie, bring me some of your broth.”

When Rosalie went to fetch the bouillon, she discovered that the Commune had given orders that the queen not be allowed any food at all. Although Marie Antoinette had been condemned to death, the Commune still wanted to show the people of Paris a woman weakened by terror and stripped of her noble pride. When Rosalie returned an hour later, the queen asked her for help dressing. The queen first stepped between the bed and the wall to hide her body from the guard’s view as she let her black dress drop to the floor. When the young guard approached the queen to watch more closely, Marie Antoinette immediately put her scarf over her shoulders

“In the name of decency, Monsieur” she said, “allow me to change my linen in private.” “I cannot consent,” the guard replied. “I have orders to keep an eye on all of your movements.”

The queen sighed. She removed her bloodstained chemise, replacing it with a clean one. In addition to the long trial and her hunger over the past few days in the cold, dank cell, the queen’s hemorrhaging had exhausted her even further. She then put on her white negligee and draped a large muslin scarf over her shoulders, tying it under her neck. After the queen had arranged her white mourning cap on her head, Rosalie watched as she carefully rolled up the bloody chemise and tucked it into one of its sleeves. The queen looked around and found a small crack in the wall in which she hid the tattered garment.

Rosalie was too distressed to bid Marie Antoinette adieu. The queen sat trembling from the October cold when Rosalie left the cell. A sworn priest named François Girard arrived next. The former curé of Saint-Landry demanded to hear her confession, but the queen refused.

“You are guilty,” said the priest.

“Ah, sometimes careless,” said the queen. “Never guilty.”

ABOUT THE AUTHOR

Will Bashor picture

Will Bashor
earned his M.A. degree in French literature
from Ohio University
and his Ph.D. in International Studies
from the American Graduate School in Paris
where he gathered letters, newspapers, and journals
during his research for the award-winning
Marie Antoinette’s Head: The Royal Hairdresser, the Queen, and the Revolution.
Now living in Albi, France,
and a member of the Society for French Historical Studies,
his latest work, Marie Antoinette’s Darkest Days: Prisoner No. 280 in the Conciergerie,
was released in December 2016.
He is currently working on the final part of his historical trilogy,
Marie Antoinette’s World: The Labyrinth to the Queen’s Psyche.

Visit him on his website
and here are many ways to follow him:

twitterfacebookpinteresttumblrreddit
Follow Rowman & Littefield on Twitter and Facebook

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway – international:
1 winner will receive a copy of this book

***

CLICK ON THE BANNER
TO READ REVIEWS AND EXCERPTS

marie-antoinettes-darkest-days-banner

 

Save

Book review, excerpt & giveaway: The Paris Effect, by K.S.R. Burns

the-paris-effectK.S.R. Burns

on Tour January 9-13 with

The Paris Effect

(women’s fiction)
Release date: June 1st, 2016
at Velvet Morning Press
ISBN: 978-0692710852
246 pages
Author’s website
Goodreads

SYNOPSIS

Friendship, loss and a tantalizing trip to Paris in this highly praised #1 Amazon Best Seller!
Amy and Kat had planned a secret trip to Paris. Even Amy’s husband wouldn’t know about it. But when Amy loses Kat to cancer, she knows the plan is gone forever. Or is it?

Guided by memories of her friend and dissatisfaction with her own calorie-counting life in Phoenix, Amy sneaks off to Paris while her husband is away on a business trip. Once there, she’s robbed, stalked, arrested and almost kidnapped. Worse, she finds that all her problems have come right along with her.
Through her adventures, laced with luscious descriptions of food and Paris, Amy learns that often in life, love and friendship, nothing is exactly as it seems. Grab a croissant and settle in for a decidedly non-touristy trip to the City of Light.
MY REVIEW
This book really hit me hard, as I recently lost a very good friend of mine to cancer, similar to the main character, Amy. I actually had to stop reading for a bit because it was too much for me. But when I did start reading again, I couldn’t really put the book down.
I cheered Amy on as she finally got up the courage to go to Paris, and was then concerned (and then relieved) as she got into scrapes, and then was somewhat rescued by a nice Englishwoman named Margaret. And yet, got into more scrapes. But, that’s par for the course, it seems. Very much Amy.
The book was a satisfying read, and the ending seemed just about right. I’d like to read more of Amy, and see what she gets up to next. Perhaps the author will give us a sequel. I hope!
EXCERPT

When I was six Dad gave me an old record player he picked up at a carport sale. I loved that thing—the hard rubber turntable, the chunky plastic dials, the dusty electrical smell. It came with half a dozen albums from the swing era, one of them “Ella Fitzgerald Sings the Cole Porter Songbook.” My mother didn’t listen to any music at all and Dad liked only fifties rock‐and‐roll, so to them the records were worthless.

But on Saturdays while they were out working in the yard, I would drop Ella onto the turntable, place the needle into the groove just right, so it didn’t squawk, and play the record over and over. Sometimes I’d tie my old blue baby blanket around my waist and waltz around my bedroom.

My very favorite song from that album was “I Love Paris.” Ella loved Paris in the springtime. She loved it in the fall. She loved it in the summer when it sizzles. She loved it in the winter when it drizzles.

At that age I didn’t know if Paris was a where or a who or a what. Well, okay, I was pretty sure it was a where. What I was totally sure about, even at age six, was that every single note of that song is about yearning.

About desire.

Paris assumes that if you are not in Paris, whatever, whoever, wherever you are is legitimate cause for dissatisfaction. Because if you are not in Paris, you are nowhere worth being. Because—mais oui!— in Paris life is bigger, better, and more beautiful.

Most of all, you can be who you really are in Paris.

Unlike in Phoenix, Arizona, an ugly, makeshift, temporary place, a place that feels nailed together just yesterday, a place of lost losers, a place that has never felt like home. This knowledge felt like a secret and possibly shameful thing I wasn’t meant to possess, insider information forbidden to obscure‐ish people such as me and my parents, people living in a two‐bedroom bungalow in central Phoenix, thousands and thousands and thousands of miles away from sizzling, drizzling Paris.

Eventually I realized how lame the whole thing was. Still, Ella Fitzgerald is the reason I defied conventional wisdom and studied French in high school and college instead of Spanish.

Now high school and college are long over and the faraway Sacré‐ Coeur quivers on my guest bathroom wall. Whispers, “The Plan.”

Whispers, “It’s not too late.”

ABOUT THE AUTHOR

k-s-r-burns-the-paris-effect

Unlike her character Amy in THE PARIS EFFECT,
K. S. R. Burns has never ventured down
into the scary and forbidden catacombs.
Nor has she run away from home,
but she has lived and worked in 22 cities,
one of them Paris
(because she does definitely share Amy’s passion for Paris).
Burns is also the author of THE AMAZING ADVENTURES OF WORKING GIRL:
REAL-LIFE CAREER ADVICE YOU CAN ACTUALLY USE (Running Press 2009),
because while living in 22 cities she racked up a total of 59 jobs,
thereby learning a lot about the world of work.
She currently writes a weekly career advice column for The Seattle Times.
No longer a wanderer, Burns currently resides in the Pacific Northwest
with her husband and cat.

Visit her website.
Follow her on Facebook, Twitter

Subscribe to her newsletter

Buy the book: Amazon | Barnes & Noble

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Enter here

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway open to all:
5 winners will receive a digital copy of the book

***

CLICK ON THE BANNER
TO READ REVIEWS AND EXCERPTS

the-paris-effect-banner

 

Book review, excerpt & giveaway: Occult Paris: The Lost Magic of the Belle Epoque, by Tobias Churton

occult-paris-coverTobias Churton

on Tour December 15-21 with

Occult Paris:
The Lost Magic of the Belle Époque

(nonfiction – history – occult)
Release date: October 30, 2016
at Inner Traditions • Bear & Company
ISBN: 978-1620555453 – 528 pages

 

SYNOPSIS

Historian Tobias Churton explores the magical, artistic, and intellectual world of the Belle Époque Paris. He brings into full perspective the personalities, and forces that made Paris a global magnet and which allowed later cultural movements, such as the “psychedelic 60s,” to rise from the ashes of post-war Europe.
EXCERPT – Chapter Three
Meetings with Remarkable Men
We can see that symbolic powers, occult powers, and poetic powers emerge from the same source, the same depths.Gaston Bachelard, Preface to Richard Knowles’s Victor-Émile Michelet, Poète ÉsotériqueDuring the 1960s and 70s, British historian Dame Frances Yates astonished and perplexed the community of historical scholarship by her reasoned advocacy of the view that a highly significant factor in promoting the genesis of modern science and its representative the “scientist” was the Renaissance Hermetic movement’s veneration for the Magus. The Magus is concerned with extending his powers over all aspects of creation, even unto immaterial realms. In analyzing the life of Dominican friar Giordano Bruno in particular (Giordano Bruno and the Hermetic Tradition, 1964), Yates demonstrated how the opposition of the Catholic Inquisition created the idea of Bruno as a “martyr to science”–he was burned at the stake in Rome in 1600 as an impenitent heretic–when his actual views were regarded in the main as superstitious claptrap by many 19th-and 20th-century scientists operating on “Newtonian” lines. Rekindled in Florence after 1460, Yates declared the gnostic “Hermetic Tradition” stimulated the rediscovery of Man as a free-willed Operator in the universe, a co-creator with the divine, to whom no secret need remain hid. [. . .] Thus “occult philosophy” was not in fact “hidden philosophy”–the deliberate cultivation of esoteric obscurity–but revealed what had formerly been hidden to the eyes of the fearful and the ignorant; in another word, science, but science with esoteric and spiritual balls: Gnostic science was the vehicle of revelation.

What is truly fascinating about developments in Paris in the 1880s and ’90s is that at the very time when many scientists had reached an apogee of materialist certainty verging on hubris–feeling themselves and their experimental methods utterly alien to the figure of the Mage who “dreamed but did not get real results”–yet at that very moment we find the Magus’s position as the desirable ideal and archetype being assumed not as the ideation of the scientist, but as the apotheosis of the ARTIST. The aim? That Art trump Science. New men will embrace the new religion, universal, already hidden in spiritual symbols, which, while the traditions and cultures around them might differ superficially, exist as one in essence.

Esotericism insists there is correspondence between all things. One thing opens a door to another: all rooms are connected. The new religion was at home in the Temple, whether of ancient Egypt, the Panthéon in modern Paris, or the contemplative mind in its study, or with like-minded friends. [. . .] In this religion, the Magus and prophet is not the scientist who limits the universe to measure it, but the Artist who seeks the infinite, the one who accepts the “open secret” of the universe as mystery. The Artist becomes one who reveals the hidden truth, not of matter itself, but of Man and the determinative occult world behind nature. Hail the Artist as custodian of spiritual being, of idealization, of beauty, of essential truth!

The dizzy heights of this realization were given verbal form in sweeping style by Bailly bookshop habitué Joséphin Péladan: “There is no reality other than God. There is no Truth other than God. There is no Beauty other than God.”3 Péladan deduced that the greatest art had necessarily been generated for the Catholic Church and the time had come for the Church to realize that the true hierophant of the mysteries was the Artist, the Magus come to the cradle of the Lord with gifts. [. . .] He was sacrificer and bridge-builder between the invisible and the visible, between this world and the world to come: the master of the ikon and of memory. The Artist’s business was with the ideal and the spiritual, not with reproducing the visual plane of nature like an ape. Paraphrasing Hermes Trismegistus, Péladan concluded: “Artist, you are Magus: Art is the great miracle.” The materialist scientist will only take you further into the endless darkness of matter, progressively enslaving the spirit to rational categories and destroying the divine humanity. The Magus, of whom Leonardo was a shining exemplar, combined search into the quantitative visible world with a no less penetrating search into the invisible and symbolic world, the infinite worlds, the boundless worlds of imagination, not to be confused with merely external fantasies as in the vulgar notion of “surrealism” or visual whimsicality. He was a man of imagination and his genius transcended his time, perhaps time itself.

So we see the figure of the Hermetic Magus return, and his gift was to justify the position of the artist, to secure him at the heights. [. . .] Hermetism made exalted sense of the Artist and his peculiar life and vocation. It thus became desirable for the new artist, who, like Redon, found the “ceiling” of the Impressionists too low for comfort to explore occult traditions, to partake more fully in the insights of the condemned gnosis. For this purpose, the L’Art Indépendant shop in the Rue de la Chaussée d’Antin and the Librairie du Merveilleux in the Rue de Trévise became essential calling points. In those oases of the ideal freedom, the movement could take its store of inspiration while sharing thoughts and carrying them out into the artists’ apartments, studios, informal salons, and café meetings. Now joined, Symbolism and Occultism shared mutual waves that would rise into an aesthetic flood, rolling through the streets of Paris in an attempt to sweep away the barricades of materialism, to oppose the Barbarians at home and abroad with unearthly Beauty and the power of the Spirit. After all the historic, failed revolutions that promoted what was perceived to be Paris’s decline into decadence, a spiritual revolution was afoot. Its weapon: ART, perceived as the exercise of the “High Science,” that is to say, Hermetic magic.

“Occult Paris by Tobias Churton © 2016 Inner Traditions. Printed with permission from the publisher Inner Traditions International. www.InnerTraditions.com
MY REVIEW
I really had no idea what to expect with this book, but what I didn’t expect was to be overwhelmed with names and places and events, basically being plunged headfirst into Symbolism, Decadence, Impressionism, and Hermetic philosophers… among others. I’ll be honest and say that this book took me a long time to read, and I still do not feel entirely certain of my knowledge of its contents. I rather feel like I should have read a Wikipedia (or other) primer of the cultural movements referenced, and especially of the men mentioned.
There were a great many mentioned, but I still do not have any real idea as to why/how the various persons noted became Symbolists, or Martinists, or Theosophists (etc).  What was the underlying motivation? There is a great deal of information in this book, and for someone better versed, I have no doubt that it would be a gold mine and inspiration, compelling and intense. I’m afraid I’m not that person, or at least not yet, not without learning an awful lot more first.
I am somewhat intrigued, however, and I am wondering about the role of women in these movements, aside from being ‘feminine’ inspirations, or symbols of wisdom, like Sophia. The art in the book often shows women, but they appear to be objects or symbols rather than real people. I suppose it would be a question to put to Churton himself, whether or not any women participated in these movements, and if there were any known more generally.
A note on the book itself: the hardback is a handsome edition, high quality, and has very good colour photographs in an insert. Definitely one for display on the shelf, if that’s your thing.

ABOUT THE AUTHOR

occult-paris-tobias-churton

Tobias Churton
is Britain’s leading scholar
of Western Esotericism,
a world authority on Gnosticism,
Hermeticism, and Rosicrucianism.
An Honorary Fellow of Exeter University,
where he is a faculty lecturer,
he holds a master’s degree in Theology
from Brasenose College, Oxford,
and is the author of many books,
including Gnostic Philosophy and
Aleister Crowley: The Beast in Berlin.
He lives in England.

Visit his website.

Follow Inner Traditions/Bear & Company on Facebook | Twitter
Subscribe to their newsletter

Buy the book: on Amazon.com | Amazon.co.uk

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway open to all:
3 winners will receive a print copy of the book

 

***

CLICK ON THE BANNER
TO READ REVIEWS AND AN EXCERPT

occult-paris-banner

 

Book review, excerpt & giveaway: Purged By Fire, by Diane Bonavist

purged-by-fireDiane Bonavist

on Tour
December 1-14
with
Purged by Fire:
Heresy of the Cathars

(historical fiction)
Release date: July 29, 2016
at Bagwyn Books
ISBN: 978-0-86698-810-0
274 pages

SYNOPSIS

In the thirteenth-century, a unique civilization flourished in the region that is now Southwestern France. The tolerant rulers of this realm embraced the Cathar faith which kept the simple teachings of the early followers of Christ, and rejected the venality of the Catholic Church.

To destroy the heretical faith, the pope declared a holy war. With the infamous words “Kill them all, God will recognize his own,” the crusade against Christendom began. For two decades, these wars decimated the old regions of the Languedoc and the troubadour culture. But when they still failed to destroy the heretical faith, the papacy gave special powers of inquisition to Dominican monks. Their mission was to root out heretics, compel confessions, and burn the unrepentant at the stake.
Purged by Fire tells the intertwining stories of three people enmeshed in the treachery of the Inquisition. Isarn Benet believes he has survived the wars by accepting the pope’s will and the French rule, until Marsal, the child he once rescued, arrives on his doorstep, forcing him to question every conciliation he has ever made. Marsal has lost everything to the Inquisition. Raised to always turn the other cheek, now she wants back what the Catholic Church has stolen, and she will aid anyone who helps her do so, even outlaws and rebels. Isarn’s son Chrétien can barely remember his life as a soldier and troubadour, the time before he knew and loved Marsal. Condemned and hunted by the Catholic Church, the two escape to the mountain fortress of Montségur.
Here, as the forces of the Inquisition lay siege to their place of refuge, they must make one final choice—between life and love or death and faith!
EXCERPT
“The Inquisitor is close at hand.” Chrétien stopped to catch his breath after ducking inside. “He’s walking the streets preaching as he goes.”
We all got ale and filed upstairs.
“The empty streets and shuttered windows remind me of when I was in Paris,” Martin said, as we crowded around the only window in the gallery. “The city was in the grip of illness— the devil’s influence they call it—and everyone stayed locked indoors.”
“Here he is,” cried Chrétien, peering down at the street.
I would never have recognized William Arnald. He was only five years older than I, yet he walked like he was Methuselah, slowly, slightly bent, as if under the burden of our sins. Behind him an acolyte followed ringing a large bell. About five paces further back were three men with papal heraldry on their armbands, swords at their belts, and long shields held straight up at their sides. When Arnald reached the tavern, he stopped. Almost in unison, the four of us drew back from the window.
“He knows we’re here,” said Chrétien mockingly but in a whisper. “The man must be omniscient.”
There was some snickering among us, but really it was too uncanny for comfort. I looked down at the tonsured head and half-expected it to snap back and his eyes to nail us with his gaze.
William had not inherited the Benet height. He was a small man. My scant memories of him did not include anything imposing in either his manner or his speech. So that day, when he began to preach, I was taken aback by the way his voice filled the street, the voice of a giant, a man made larger than us all by authority and conviction.
He told us that there were many sinners among us and everyone must search his soul. If we so much as broke bread with an enemy of the church, then we became like that heretic. He promised light penance to those who came forward and voluntarily confessed their errors. But woe, woe, woe —he said it three times—to those who did not come forward and were then shown, by the accusation of others, to be heretics or fraternizers with heretics. For those, the punishment would be dire and swift.
MY REVIEW
Reading historical fiction is always such a nice change, being able to be taken back into the past, into a time period that I may or may not know much about. In the case of the Cathars, I knew very little, beyond a vague understanding that they were persecuted for their faith.
I was immediately pulled into the story in the first pages, and it was one I only put down reluctantly (since chores still have to be done). I was intrigued by Isarn Benet’s role in the story, and how he connected to all the others, and then by Marsal, the baby he’d saved. Combined with these interesting characters, the increasing tension (and one might say, doom) with the religious fervour and beliefs encouraging discrimination and cruelty, made for a fantastic read. I wanted to see Marsal succeed and be happy; wanted to see Isarn impart the secrets he needed to; and wanted to find out what happened between Chretien and Marsal.
I felt immersed in the world Ms Bonavist created. I’m hoping that she will write more historical fiction, whether about Cathars or others.

ABOUT THE AUTHOR

purged-by-fire-diane-bonavist

Diane Bonavist’s fiction
has appeared in Tiferet Journal,
The Milo Review, Fable Online,
and The RavensPerch.
She is a former Editor in chief of Tiferet Journal.

Her other novels are Daughters of Nyx,
a mystery of ancient Greece and Waters and the Wild,
a multi-generational story set in the Hudson River Valley,
both to be published in 2017.

Visit her website. Follow her on Facebook

Subscribe to her newsletter

Buy the book: on Amazon

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Enter here

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway – international:
5 winners will receive a kindle/mobi copy of this book

***

CLICK ON THE BANNER
TO READ REVIEWS AND AN EXCERPT

purged-by-fire-banner

 

Book review, excerpt & giveaway: Paris Nights, by actor Cliff Simon (& Loren Stephens)

Paris NightsCliff Simon
with
Loren Stephens

on Tour October 24-November 2 with

Paris Nights:
My Year at the Moulin Rouge

(memoir)
Release date: July 15, 2016
at Waldorf Publishing
ISBN: 978-194384892-8
197 pages

Website
Goodreads

SYNOPSIS

A memoir by the critically acclaimed actor Cliff Simon.

Paris Nights, the memoir of a South African soldier turned performer in the world’s most famous cabaret, delivers in a hugely entertaining way.

Little did Cliff Simon know that a single phone call and a one-way ticket to Paris would ultimately change his life forever.

Now the acclaimed television and film actor shares his journey from Johannesburg to the Moulin Rouge to Hollywood in his debut memoir, Paris Nights: My Year at the Moulin Rouge.

From a young age Cliff Simon knew he was headed towards big places. Having grown up as both a skilled gymnast and a competitive swimmer, performance was in his blood. But with the onset of Apartheid and the looming threat of war, he and his Jewish family soon retreated from Johannesburg, South Africa to the London countryside. Before he knew it, he joined the British swim team and was near Olympics-bound with a full-ride offer to a United States university.

But something wasn’t quite right. Instead, Cliff returned home and enlisted in the South African Air Force. Cliff’s habit of impulsive risk-taking would continue but ultimately pave the foundation for an experience most of us would only dream of. After he was honorably discharged, twenty-seven-year-old Cliff worked a series of odd jobs at a resort near the Indian Ocean until he received a phone call from an old friend inviting him to join him at the iconic Moulin Rouge.

Here begins the story of Cliff’s meteoric rise at the Moulin from swing dancer to principal in the glamour filled show, Formidable; his offstage encounters with street thugs and diamond smugglers; and the long nights filled with after parties and his pick of gorgeous women. Encounter the magic, the mayhem, and the glory that was and still is the Moulin Rouge.

EXCERPT

At dawn, I took the Métro back from Sophia’s hotel to my apartment on Rue de la Victoire. The night before, somebody had taken my spot in the courtyard, so I left my car on the street. I fell into bed exhausted from a night of lovemaking and slept fitfully. When I got up at about noon, I took a quick shower, made myself a cup of coffee, and then opened the heavy doors of the courtyard out on to Rue de la Victoire. My car was parked where I had left it the previous evening, but there was a bouquet of dead red roses tucked under the windshield wipers. I had seen enough murder mysteries and read enough spy thrillers to know that this was bad. Chantal or one of her goons had followed me back to my apartment from Sophia’s hotel, and now they knew where I lived.

I ran back upstairs to look for a weapon. I got a kitchen knife and stuck it inside one of the leather boots I was wearing, and I put a stick inside my jacket sleeve. I thought about taking my car to the Moulin, but I decided I’d rather walk. Someone might have put a pipe bomb underneath my car. My imagination was getting the better of me, but I didn’t want to take any chances. I had seen worse things than that in South Africa—ANC vigilantes setting fire to cars, kidnapping whites from their houses, planting bombs in trash cans.
It was eight o’clock in the evening. I found Monsieur Thierry, who was talking to one of the chorus boys. I needed to speak with him immediately. I told him about the fight with Chantal, and finding the dead flowers on my car. He winced, “Les Fleurs du Mal.”

“What do you mean?”

“The Flowers of Evil. It’s a poem by Baudelaire. Read it someday.”

I was in no mood for a lesson in French literature. “I need to speak with Monsieur Clerico. Can you arrange it? This is serious.”

Thierry gave me his standard response. “Monsieur Clerico doesn’t make appointments with the cast. He leaves these matters up to Doris, Ruggero and me.”

I asked him, “You want to mess with the Mob? I think they are somehow involved in this.”

“All right. Come by tomorrow before the show. I’ll talk to Monsieur Clerico. Maybe he’ll see you.”

For the first time since I had been in Paris, I felt nervous that something might happen to me. I had a feeling that I might need protection on the street, and who better to give it to me than Monsieur Clerico.

REVIEW

I will admit that I knew nothing about Cliff Simon when I picked up this book, but I quite enjoy memoirs, and I’d never read about a dancer from the Moulin Rouge before. I didn’t actually look him up until after I’d finished the book, and now I realize I’d seen him in a couple of Stargate eps. Very cool, and I’d had no idea he’d been a dancer.

His time in Paris was somewhat predictable in that he slept and partied his way through his year of dancing, but somehow I would expect no less from someone with such energy and need to be doing things. As for the Moulin Rouge itself, seeing behind the curtain and learning about the organization and backstage secrets was fascinating. I think it’d be very cool to be able to truly go backstage and see how it all works. Mr. Simon’s book is a great teaser and taste of what the dance hall must be like. I’d be curious to see how it has changed since the 80s, and how it has stayed the same.

Though I picked up the book because of the Moulin Rouge reference, I was more intrigued by Cliff’s tellings of his younger life, in pre-apartheid South Africa. Though he could have blunted or softened his earlier (perhaps more naive) views, he approached the issues with honesty, acknowledging the difference between views then and now. It’s refreshing, and shows the depth of his thoughts, and his voice is very specific and unique.

ABOUT THE AUTHORS

Paris Nights Cliff Simon

 

Cliff Simon
is a well-known television actor,
born in Johannesburg, South Africa.
He appeared for 7 seasons on the sci-fi thriller,
Stargate as the evil Ba’al.
Some of his recent appearances
have been on CSI, 24,
the Americans, and in the film, Project Eden.

Paris Nights Loren StephensLoren Stephens
has been twice nominated for
the Pushcart Prize for the Best American Short Story,
and her essays and short stories
have appeared in the Los Angeles Times,
the Chicago Tribune, Peregrine,
the Montreal Review, to name a few.
Her novel “All Sorrows Can Be Borne,” set in Japan will be published in 2017.

Visit Cliff’s website and his fan page
Follow Cliff Simon: Facebook, Twitter

Visit Loren’s website: Write Wisdom

Follow Loren Stephens: Facebook
Follow Waldorf Publishing on Twitter | on Facebook

Buy the book: Amazon | Indiebound | Barnes & Noble | Target

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Enter here

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway – international:
10 winners will receive a kindle/mobi copy of this book

***

CLICK ON THE BANNER
TO READ REVIEWS AND AN EXCERPT

Paris Nights Banner

 

Book review & Giveaway: The Art of Rebellion by Brenda Joyce Leahy

the-art-of-rebellionBrenda Joyce Leahy

on Tour October 17-21 with

The Art of Rebellion

(YA historical)
Release date: June 15, 2016
at Rebelight Publishing
ISBN: 978-0994839985
252 pages
Website
Goodreads

 

SYNOPSIS

Released June 15, 2016, by Rebelight Publishing, this beautifully written, lush piece drops you into tumultuous and breathtaking late 19th century Paris.

Sixteen year old Gabrielle dreams of becoming an artist but her ambitious parents agree to an arranged marriage to an aging Baron. In protest, she runs away from her provincial home of Laval to Paris, the City of Light, intending to live with her grandmother and pursue her passion for art. Her bold plan disintegrates as she arrives in Paris to discover her grandmother has disappeared under mysterious circumstances. Alone in the capital, Gabrielle wonders who to trust: her new artist friends or the handsome but irritating stranger she met on the train, who just might be stalking her. Gabrielle’s pride, ambition and impulsive nature thrust her into Paris’ underbelly of betrayal and abuse. Will she find the courage to begin a new life on her own terms?

REVIEW

It’s been a while since I’ve read YA. From the start I was rooting for Gabrielle, cringing at the Baron, and the staunch demands of her mother. I cheered when she ran away, and agonized to see her making her decisions, knowing that she’d suffer some. But then, that’s what growing up is, isn’t it? Or at least, what it should be. I admire her determination, even when she has no money and is in a dangerous situation. More people should have such willpower.

Brenda Joyce Leahy brings 19th Century Paris to life, and I loved reading this book. I loved to learn about the feminists, about the Exposition, about the tawdriness, and dirt, and desperation. Politics, domestic life, art, passion, all rolled into one.

The Art of Rebellion was on the Calgary Bestselling Fiction list in August 2016

ABOUT THE AUTHOR

the-art-of-rebellion-brenda-joyce-leahy

Brenda Joyce Leahy
loves historical fiction
and thinks she was born a century too late
but can’t imagine her life without computers or cell phones.
So, perhaps, she arrived in the world
at just the right moment to tell this story.
She grew up on a farm near Taber, Alberta
but now lives with her family near the Rocky Mountains in Calgary, Alberta.
After over 20 years practising law,
she has returned to her first love of writing fiction.
She is a member of several writing organizations,
including the Society of Children’s Book Writers and Illustrators (SCBWI)
The Art of Rebellion is also profiled on the Humber School of Writers’ website
Brenda is also a member of the Historical Novel Society and leads a YA/MG writers’ critique group in Calgary.

Visit Brenda’s website

Follow her on Facebook | on Twitter
Follow Rebelight Publishing on Twitter

Buy the book: Amazon | Indigo | Barnes & Noble

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway open to Canada residents:
2 winners will receive a copy of this book

***

CLICK ON THE BANNER
TO READ REVIEWS AND A GUEST-POST

the-art-of-rebellion-banner

 

Book review, excerpt, & giveaway: The Madonna of Notre Dame, by Alexis Ragougneau

The Madonna of Notre DameAlexis Ragougneau

on Tour September 12-21 with

The Madonna of Notre Dame

(thriller)
Release date: October 11, 2016
at New Vessel Press
ISBN: 978-1-939931-39-3 210 pages

Website
Goodreads

 

SYNOPSIS

Fifty thousand believers and photo-hungry tourists jam into Notre Dame Cathedral on August 15 to celebrate the Feast of the Assumption. The next morning, a stunningly beautiful young woman clothed all in white kneels at prayer in a cathedral side chapel. But when an American tourist accidentally bumps against her, her body collapses. She has been murdered: the autopsy reveals disturbing details. Police investigators and priests search for the killer as they discover other truths about guilt and redemption in this soaring Paris refuge for the lost, the damned, and the saved. The suspect is a disturbed young man obsessed with the Virgin Mary who spends his days hallucinating in front of a Madonna. But someone else knows the true killer of the white-clad daughter of Algerian immigrants. This thrilling novel illuminates shadowy corners of the world’s most famous cathedral, shedding light on good and evil with suspense, compassion and wry humor.

EXCERPT

“Gérard, there’s a bomb alert. In the ambulatory. Serious stuff this time. Big.”

His shoulder wedged in the doorway, a huge bunch of keys hanging at the end of his arm, the guard watched the sacristan fuss around, open all the sacristy cupboards, and pull out rags, sponges, silverware polish, while muttering expletives of his own composition at regular intervals.

“Gérard, are you listening? You should take a look, really. Fifteen years on the job, I’ve never seen anything like it. It’s enough to blow up the whole cathedral.”

Gérard interrupted his search and finally appeared to take an interest in the guard. The latter had just hung the keys on a single nail stuck in the sacristy paneling.

“Later on, if you like, I’ll go see. Is that all right? Are you happy?”

“What’s going on today, Gérard? Haven’t you got time for important things anymore?”

“Look, you’re starting to really piss me off. Thirty years I’ve been working here and it’s the same thing every year: every August fifteenth they have to make a goddamn mess in the sacristy. And I can never find anything the next day. I have to spend two hours cleaning up. I don’t understand why it has to be so difficult. They arrive, they put on their vestments, they do their procession and their Mass next door, they come back, they take off their vestments, and see you next year … Why do they have to go rummaging in the cupboards?”

“Tell me, Gérard, what have you lost?”

“My gloves. My box of gloves for the silverware. If I don’t have them I wreck my hands with their shitty products.”

“You want me to help you look? I’ve got time—just finished opening up.”

“Don’t worry, here, found them. I don’t know why it’s so hard to put things back where they belong, I mean, Jesus H. Christ …”

The guard fumbled in his pocket, inserted coins into the slit of the coffee machine, and pushed a button. He signaled goodbye to the sacristan and then, a steaming cup in his hand, started to walk back to the interior of the cathedral. Gérard caught up with him in the corridor.

“So tell me about your bomb … Worth seeing?”

“The works, I promise: the ticktock, the time switch, and the sticks of dynamite.”

“OK, I’ll go see later, before the nine o’clock Mass. Might still be there. Where’s your explosive device again?”

“In the ambulatory, outside the chapel of Our Lady of the Seven Sorrows. You’ll see—impossible to miss.”

MY REVIEW

It was a slow start for me, but this book was worth my patience. It’s been awhile since I’ve read any thrillers, and my last ones were books from translator/publisher Le French Book. (Their stable of authors includes Frederique Molay, Bernard Besson, David Khara, etc.) Once this book got going, I really couldn’t put it down. The first suspect seemed too easy, but I couldn’t identify another, and that questioning kept me reading. I like thrillers and mysteries where I can’t easily identify the killer(s).

What intrigued me the most, beyond the external plot, were the details involved in the running of Notre Dame, and of the ‘inside look’ at what it might take to organize and secure such a large and popular tourist destination. Locks, cleaning, security, filming, masses,… it all seemed to be there. I’d love to read a book solely on this background information.

Definitely an excellent read. I look forward to seeing what M. Ragougneau writes next.

ABOUT THE AUTHOR

Alexis Ragougneau

Alexis Ragougneau
is a playwright and
The Madonna of Notre Dame is his first novel.
He has worked in Notre Dame Cathedral
helping monitor tourist crowds
and knows well its infinite secrets
and the forgotten souls who linger in its darkest corners.

Follow New Vessel Press on Twitter | on Facebook
Sign up to receive their latest news and deals.

Buy the book: on Amazon

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway open to US residents:
1 winner will receive a copy of this book

 

***

CLICK ON THE BANNER
TO READ REVIEWS AND AN EXCERPT

The Madonna of Notre Dame Banner

 

Book review & giveaway: Time and Regret, by M.K. Tod

Time And RegretM. K. Tod
on Tour September 1-10 with

Time and Regret

(historical mystery)

Release date: August 16, 2016
on Amazon

ISBN: 978-1503938403
366 pages

Author’s page | Goodreads

SYNOPSIS

When Grace Hansen finds a box belonging to her beloved grandfather, she has no idea it holds the key to his past—and to long-buried family secrets. In the box are his World War I diaries and a cryptic note addressed to her. Determined to solve her grandfather’s puzzle, Grace follows his diary entries across towns and battle sites in northern France, where she becomes increasingly drawn to a charming French man—and suddenly aware that someone is following her…

Through her grandfather’s vivid writing and Grace’s own travels, a picture emerges of a man very unlike the one who raised her: one who watched countless friends and loved ones die horrifically in battle; one who lived a life of regret. But her grandfather wasn’t the only one harboring secrets, and the more Grace learns about her family, the less she thinks she can trust them.

MY REVIEW

After a somewhat slow start, Time and Regret quickly became intriguing. Martin’s diaries gave way to sections set during the Great War, and I was fascinated. His words weren’t the lengthy sort of diary one usually gets in books like this, but brief, blunt observations that set the stage. Then, to have Grace trying to find clues… I couldn’t stop reading. Things built, and the ending wasn’t quite what I expected it to be. In a good way.

I especially appreciated that Grace was not a 20-something year old, but a woman of an older age, with more experience, and having gone through a divorce. She was a more interesting character for it, and her friendship and relationship with Pierre felt very natural, and not overdone.

It was also refreshing to have a novel partly set in 1991. It’s two historical periods in one novel, and it took me a few minutes to reset my brain to ‘not present time’ when reading about the more modern era. I had to remind myself that 1991 was pre-cellphone, internet, etc. (I am more than old enough to remember it, but still…)

And finally, the art world connection was a real treat. Museums and (*mumble mumble spoilers*). Definitely a book to pick up.

ABOUT THE AUTHOR

Time And Regret MK Tod

Time and Regret is M.K. Tod’s third novel.
She began writing in 2005
while living as an expat in Hong Kong.
What started as an interest in her grandparents’ lives
turned into a full-time occupation writing historical fiction.
Her novel Unravelled was awarded Indie Editor’s Choice
by the Historical Novel Society.
In addition to writing historical novels,
she blogs about reading and writing historical fiction at http://www.awriterofhistory.com,
reviews books for the Historical Novel Society
and the Washington Independent Review of Books,
and has conducted three highly respected reader surveys.
She lives in Toronto, Canada,
with her husband and is the mother of two adult children.

Please visit her website and her blog A Writer of History
Subscribe to her mailing list
or contact her at mktod [at] bell [dot] net

Follow her on Facebook and Twitter
on Goodreads and Pinterest

Buy the book (print, ebook audiobook): Amazon

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway open internationally:
5 winners will receive a print copy of this book.

***

CLICK ON THE BANNER
TO READ REVIEWS, INTERVIEW, AND EXCERPTS

Time And Regret Banner

Book review, excerpt & giveaway: Paris Runaway, by Paulita Kincer

Paulita Kincer

on Tour July 18-27
with

Paris Runaway cover

Paris RunAway

(women’s fiction)

Release date: June 30, 2016
at Lulu.com

ISBN: 978-1-365-18923-4
220 pages

Author’s page
Goodreads

 

SYNOPSIS

When divorced mom Sadie Ford realizes her 17-year-old daughter Scarlett has run away to Paris all she can imagine are terrorist bombings and sex slaves. After learning her daughter chased a French exchange student home, Sadie hops on the next plane in pursuit. She joins forces with the boy’s father, Auguste, and the two attempt to find the missing teens before they can stumble into more trouble. The chase takes Sadie and Auguste to the seedier side of Marseille, where their own connection is ignited. Since the divorce, Sadie has devoted herself to raising kids and putting her dreams on hold, but when her daughter needs her most, Sadie finds that concrete barrier to life beginning to crack. In her journey, she learns the difference between watching the hours pass and living.

REVIEW

This book was a refreshing read, especially because the heroine was not an early-20s woman, but one of middle age, with teenage kids and a ‘normal’ life. That is, hectic and messy and full of the little details that a lot of books gloss over. I connected with her immediately, and could feel her frustration and anger and worry all at once.

And when the action moved to Paris, I was delighted to be ‘visiting’ one of my favourite cities once more. I could absolutely envision the car chase through the huge traffic circle at the Arc de Triomphe, and wandering down avenues, and experiencing Paris for the first time.

Now that I’ve read The Paris Runaway, I think I’m going to need to go read all of Ms Kincer’s other books!

EXCERPT

I’d been distracted by my class of first graders, my fingertips dripping with paint, as one boy pulled on the hem of my dress and a strange man in shiny shoes walked into the classroom. He said, “I’m lookin’ for Sadie Harrison Ford.”

“That’s me,” I said, my brows scrunching together at the bridge of my nose. No one called me by my maiden name and married name. I was fine as Sadie Harrison or Sadie Ford, but combine the two names, and I became a Star Wars joke waiting to happen.

“Got some papers for you,” the man said as he moved a piece of chewing gum to the side of his mouth.

“Well, I obviously have my hands full right now,” I told the man, irritated that the office had let him come down to my classroom. “Just put them on my desk.” I jerked my head toward the oversized wooden desk that had piles of papers on one side, a stack of wavy artwork on the other side, but a nice empty section in the middle where an envelope would not go astray.

“I’m afraid I can’t do that Mrs. Harrison Ford,” he said as he approached me holding out the envelope.

“Just a minute, Josiah,” I told the boy pulling on the hem of my dress.

“Miranda,” I called to a little girl nearby, “take that envelope and put it on my desk please.”

She obediently stood and approached the man with her hand out.

“I’m afraid no one but you can take this envelope.” The man stretched the envelope higher as if Miranda would try to jump up and snatch it.

“Oh, fine.” I reached out to grab the envelope with blue, red and purple fingers then moved to toss it onto my desk.

“Consider yourself served,” the man said.

I looked around for a camera as if I starred in a reality television show. “What do you mean?”

“Those are divorce papers from your husband.” The man threw the words over his shoulder as he walked toward the door.

And that’s how my official divorce papers got rainbow-colored fingerprints all over them as I tugged the stiff white papers from the envelope, and my face collapsed in a sudden rush of shame and tears. This couldn’t be happening to me. 

ABOUT THE AUTHOR

Paulita Kincer

Paulita Kincer
has an M.A. in journalism from American University.
She has traveled to France 11 times,
and still finds more to lure her back.
She currently teaches college English
and lives in Columbus, Ohio,
with her three children, two cats and one husband.
Visit her website www.paulitakincer.com and her blog at http://www.paulita-ponderings.blogspot.com
or follow her on Twitter @paulitakincer
Like her Facebook page at Paulita Kincer Writer.
Email paulita@paulitakincer.com

Buy the book (print, ebook audiobook): Amazon

***

You can enter the global giveaway here
or on any other book blogs participating in this tour.
Be sure to follow each participant on Twitter/Facebook,
they are listed in the entry form below
.

Visit each blogger on the tour:
tweeting about the giveaway everyday
of the Tour will give you 5 extra entries each time!
[just follow the directions on the entry-form]

Global giveaway:
2 winners, choice of print or digital copy of this book.

***

CLICK ON THE BANNER
TO READ REVIEWS, INTERVIEW, AND EXCERPTS

Paris RunAway banner